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Masters at Work Louie Vega & Kenny Dope


With 3 grammy nominations for Remixer of the Year, Non-Classical an ‘Outstanding Contribution’ Award given to them at the US Dancestar Awards at the Miami Winter Music Conference in 2002 and a recent Number 1 on the UK iTunes Dance Chart courtesy of their 40 track compilation album Defected Presents House Masters – Masters At Work, it’s only fitting Masters At Work are the latest inductees to the HouseFM.Net Hall of Fame.

The duo of "Little" Louie Vega and Kenny "Dope" Gonzalez are the preeminent production/remix team in house music, their nom de plume Masters at Work standing behind dozens of the biggest club hits and remixes of their time. Effectively soundtracking the American nightclub scene of the 1990s,Vega and Gonzalez blended their love of the disparate music coming from New York's underground clubs during the 1980s -- disco, the freewheeling garage scene, emerging house and hip-hop styles, Latin freestyle -- to enormously influence the mainstream dance sound as it coalesced during the following decade. Besides their productions, remixes, and appearances as Masters at WorkVegaand/or Gonzalez are also involved in a good dozen other projects (including Nuyorican SoulKenLou,The Bucketheads, and the Untouchables), many of which appear on the duo's own MAW Records label.

Both Vega and Gonzalez were born to parents living in New York (the Bronx and Brooklyn, respectively), though of Puerto Rican heritage. Consequently, both were early influenced by the Big Apple's fertile salsa scene during the '70s. (Vega's uncle is the renowned salsa vocalist Hector Lavoe, and his father played saxophone in Latin groups for over 30 years, while Gonzalez's father, Hector Torres, is also a salsa expert.) During the early '80s, both were noted DJs around New York, though Vega immersed himself in house and freestyle while Gonzalez entered the rap scene. (The separate interests came in handy later, as dance fan Vega concentrated on songwriting and groove-making while hip-hop headGonzalez programmed beats and samples.) The pair also worked separately as producers, and Vegahad already made a name for himself working on dozens of freestyle tracks and remixes by Nice & SmoothInformation Society, and IndiaGonzalez, working as a mobile DJ with a team calling themselves the Masters at Work, founded his own Dope Wax Records and worked on production for all of the major New York dance labels: Strictly Rhythm, Nervous, Cutting, and Big Beat. In 1987, he loaned out the name Masters at Work to Todd Terry for the 1987 single "Alright Alright" (a huge club hit), thenTerry returned the favor one year later by introducing him to Vega.

After comparing notes, the pair decided that combining their wide range of influences could be an interesting experiment. They released their first Masters at Work single, the appropriately titled "Blood Vibes," on Cutting Records. Since Vega still had remixing contracts from his solo days, the pair decided to apply the MAW treatment first to Debbie Gibson's "One Step Ahead." The dance community was reasonably shocked to hear a disposable pop artist given a respectable, even exciting, dance sound.

House production teams rarely released albums of their own productions under their own name, but aMasters at Work LP appeared in 1993, on Cutting Records. The album mixed older singles with newer productions, and featured guest slots for vocalists like Jocelyn Brown and India (the latter of whom is also Vega's wife) plus producers like Todd Terry and Maurice Joshua. The reputation of Vega andGonzalez grew soon and they received pleas from most of the major labels to contribute remixes, adding to their résumé Michael JacksonDonna SummerMadonnaSt. EtienneGeorge BensonBrand New HeaviesLisa StansfieldDeee-LiteEverything But the GirlChicSoul II SoulNeneh Cherry,Ce Ce Peniston, and dozens more.

Though Masters at Work were still a relatively underground phenomenon in 1993, the success of singles like "The Nervous Track" (as the Latin-vibed Nuyorican Soul), "Love and Happiness" (as River Ocean), "I Can't Get No Sleep," and "When You Touch Me" -- each with vocals by Vega's wife, India -- caused their associated label, Strictly Rhythm, to give them their own MAW Records subsidiary. The discofied Gonzalez side project known as The Bucketheads reigned the dance charts during 1995-1996 with two number one singles, "The Bomb (These Sounds Fall into My Mind)" and "Got Myself Together."

In early 1997, the MAW duo issued the most high-profile release of its career (at least in terms of the music establishment), a self-titled full-length as Nuyorican Soul. Recorded with input from a host of jazz and past Latin masters (George BensonRoy AyersTito PuenteCharlie SepulvedaDave Valentin), the album spawned several club hits, including "Runaway" and "It's Alright, I Feel It." The following year, Masters at Work compiled some of their best productions for Masterworks: Essential KenLou House Mixes and MAW Records: The Compilation, Vol. 1. Two years later, BBE trumped both with the release of the four-disc box Tenth Anniversary Collection, Pt. 1 (1990-1995).


(Feature John Bush via AllMusic)


On 21st September 2014 the duo released Defected Presents House Masters – Masters At Work.


The 4 CD album which reached No1. in the UK iTunes Dance Chart, is a collection of original and remixed tracks by the duo spanning their 25 year career, featuring regular collaborator India as well Bebe Winans, Ultra Nate & George Benson.



HouseFM.Net would like to welcome Masters At Work to the Masters Of House Hall Of Fame and to celebrate their entrance we’ve put together a collection of tracks and live performances for your listening and viewing pleasure.







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